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Senior Member
Posted
Hey all--

I've been thinking on the idea of a "perfect" system for a long time--what it would be, what characteristics it would have, etc. By "perfect" I don't mean indistinguishable from live music--that strikes me as patently absurd. What I have in mind is a combination of gear that satisfies over the long term; one in which the individual components work so well together that everything falls away but the music--no fiddling with stands, upgrading different boxes, power, etc.

I have heard three systems that I think meet these criteria. The first is the LP12/Nait 2/Kans. As Tony put it quite eloquently elsewhere a Nait 2 gets the basics right and the 52/135 adds maybe 5-10%. The second is the 72/Hicap/250/Kans or SBLs. With either speaker the electronics appear to totally get out of the way and get you to the very core of the music. Finally, 52/6x135s/active DBLs. I still have not heard a better system (not having heard 3x500/DBL). Sources are assumed to be appropriate quality level given differences in taste.

Thoughts//comments//discussion ?

Cheers and Peace !

Bob

 
Posts: 1251 | Location: Denver, CO US | Registered: Mon 31 July 2000Edit or Delete MessageReport This Post
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err.....????

On what exactly are you basing your analogies Bob?

or... what are you, personally, listening to and hearing at this moment?

Curious P.

 
Posts: 1699 | Location: Oeuf | Registered: Wed 16 August 2000Edit or Delete MessageReport This Post
Senior Member
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Bob,

quote:
a Nait 2 gets the basics right and the 52/135 adds maybe 5-10%

If this is the case, who in their right mind would spend 1200% more money for a measly 10% gain? I suspect that different people value "improvements" differently, and some improvements cost more dosh.

Perfection in reproduced music is relative to cost, and as you pointed out, can only hope to approach a live performance. To some, the perfect system is nothing less than CDS2/52/active 500/DBLs. Even then, I suspect some owners of such systems aren't completely satisfied with what they have. Others happily live with LP12/nait/kans forever. Your question is akin to asking who the perfect (wo)man is, and you know there ain't such thing .

James

 
Posts: 2667 | Location: Middle Earth | Registered: Tue 08 August 2000Edit or Delete MessageReport This Post
Senior Member
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Bob,

quote:
As Tony put it quite eloquently elsewhere a Nait 2 gets the basics right and the 52/135 adds maybe 5-10%.

It is not true. 5-10% is a slight improvement at the level of the Nait2 - maybe the Nait3 does it over the Nait2. I had Nait2 > Nait3 and now a 72 -
and the 72 improves sound much higher than what a 5-10% improvement apears to my imagination.

Many members here are thinking that a Mana table improves sound far more than what you suggest as an improvement between a Nait2 and a 52 so I can guess that most members here are thinking that a 52 is a great improvement over the Nait2 - shure not a 5-10%.

I'm not sure members will agree about the idae of a perfect system. If I want to listen to a performer for example, I think the best results will be if he comes and play at my living room in front of me. So to my opinion a perfect system is a system that will stimulate my mind and imagination exectly the way a live performance does.

Arie

 
Posts: 2008 | Location: Haifa, Israel | Registered: Sat 09 September 2000Edit or Delete MessageReport This Post
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...sometimes you just have to wonder if one can ever be satisfied with anything at all, whether the sound of an acoustic guitar is reproduced from a Compact Disc recording through a top-performance hi-fi, reproduced from an open-reel analog master through an expensive pair of studio monitors, or played in the same room...let alone putting the same instrument in one's own hands!

(Ask a musician friend sometime about one of those "off days", when you just can't coax anything useful out of an instrument, no matter how hard you try...)

The hi-fi part ought to be easy, if you're a good listener in the first place, and can appreciate or receive the communication from the artist. Otherwise, you may as well turn on the television.

Dave Dever, NANA

[This message was edited by David Dever, NANA on THURSDAY 23 November 2000 at 23:17.]

 
Posts: 2420 | Location: Niles/Chicago, Illinois, USA | Registered: Mon 31 July 2000Edit or Delete MessageReport This Post
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David Dever,
quote:
whether the sound of an acoustic guitar is reproduced
out of a stereo system
quote:
or played in the same room...

An excelent example - as it happened to me to listen many times to acoustic guitar - it is a very popular instrument I'm familiar with the feelings this instrument brings to my mind. (listening to music is all about mind and immagination). So harping is a good way to estimate a system to my mind.
Clapping hands although it is not a music, is a good way to estimate "how real a system is" to my mind because I'm familiar with this sound too.

Arie

 
Posts: 2008 | Location: Haifa, Israel | Registered: Sat 09 September 2000Edit or Delete MessageReport This Post
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For what its worth,I would go for your LP 12/ Nait 2/ Kans, on the basis that I would enjoy my records just as much. Unless the arse is out of my trousers and I'm living in a cardboard box, I hope to be able to stretch to that. The rest of the utter nonsense is just a diversion I do.
 
Posts: 98 | Location: Northern Europe | Registered: Fri 04 August 2000Edit or Delete MessageReport This Post
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