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Is size important darling?
I recently had my 160 serviced by those helpful chappies at Naim.--a recap and oil change. The 160 used 4 of the same large caps that are in the 110/140/snaps--10,000uF I think! Great chunky purifying cylinders of delight---4 of them attached to the back panel. The replacements are pocket torch battery size still 10,000uF but about the same size(not quality) as those in my £150 Rotel amp. Now if size isn't everything (quality not quantity)why does the highcap and the 250/135 use 2x gargantuan family sized beer can caps. These 4 smaller caps are used in the current 180. Now of course the 180 is a very nice amp.There is a probably untrue rumour that the 160 was discontinued and not replaced becuase it sounded too close to the mid 80's 250 and was affecting more profitable 250 sales.(?more likely 160 discontinued due to poor sales--like the fine IBL) The major difference between the Naim amps (except 500) is the standard of the power supply--regulated 135/250 best v unreg 180 v smaller transformer 140 e.t.c They use pretty much the same circuit board design and high standard components on their boards. ?is the 180 engineered a little lower on the power supply stakes than the larger capped 160 was to make a bigger difference?--or are the 180 (x4) weeny 'caplets' just as good as the bigger 160(x4) /current 140 (x2) ones? I'm sure the 180 sounds better than a 160 but is this due to better output transistors/transformers The point of this discourse?? It may not have the largest caps in the world but it has a great personality! Cheers Richard |
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Member |
I don't know if this is sacrilege on this forum, but I think that your contention that the 160 was relaced due to sounding too much like the 80's 250 may well be true. I had a dem of a recapped early "sleeve" 250, on sale for a more than reasonable price, and fully expected to go for it. However, I did not, as the difference was not actually that large.
Richard, although you state that the 180 is obviously better, I would not agree. Having heard the 180, which I do not find that impressive at the price - and the 250, which has the warmer sound usually attributed to the regulated power supply, it takes the latter to make a difference. Even then, the difference is not so huge as would be imagined. I know that the 160/180/250 dem certainly made a source first nazi of me! I do plan to go to 135s, but only because I have been offered them by a friend who plans to do the NAP500 thing! Ideologically... such a demo is a real wake up call. Ben |
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Senior Member |
Richard,
Have you ever seen photos of the inside of a NAP500's power supply ? Those caps are tiny !, much smaller than the ones in my 250. With this in mind, the total combined power supplies of a pair (or four, or six !) of NAP135's put together makes the NAP500's power supply look puny. But which one SOUNDS better ? Allan |
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Trade Member |
quote: The smaller black capacitors (10,000 uF/40 V) are made by BHC Aerovox in a variety of sizes and form factors, and are pretty common thoughout the industry. The large light-blue capacitors (STC) were, by the way, never used in the NAP 140, which always used the smaller form-factor capacitors. quote: Ahh, but rating is--the big black capacitors are rated at 63V, hence the larger size. (They also explode better when put in with the wrong polarity--one of those scents I'd rather forget.) quote: No, certain people stopped making two-way loudspeakers with silly loads! (Who knows, it was before my time...) quote: The current capacitors are just as good, possibly better, and certainly last...we have updated some customers' NAP 160s with the NAP 180 power supply module. Note that both the NAP 160 and NAP 180 used the current (at the time) HICAP transformer; the 160 used down-rated output transistors (NA 002s) while the 180 uses 001s. quote: Not possible, as the larger size is unavailable; would certainly make drop-in replacement easier. Many opt for the 180 update instead. Dave Dever, NANA [This message was edited by David Dever, NANA on FRIDAY 19 January 2001 at 22:30.] |
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Member |
Richard
I run a 180/82/hi-cap/cds/xps/lp12 set up. What would I hear or not hear to tell me to re-cap? |
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Member |
The 500 and supercap I believe have a very different philosophy---many smaller regulated supplies each rail powering only a few components--I assume due to the much smaller power demands of each supply there isn't the need for the beer cans as on a 2 rail supply(or the room needed)
I also understand (from the forum not from my own eyes ) that the new technology Naims have more complex regulation circuitry than the the simple few elements circuit in the hicap--which relies on the internal 'choking' of the high quality transformer and the smoothing of those huge caps.--a simple and big philosophy The 160--180 has little regulating circuitry --very simple?too would benefit from the 'big' bit. Linn have very complex ideas about their regulation--and a short signal path--very busy circuit boards--smaller transformers/caps. I much prefer Naim amps on all the auditions I've done--but linn amps are still pretty good(KLIMAX excellent I'd say)--there is obviously more than 1 way to skin a cat. The Naim way IMHO is just very musical and Julian's amp board designs(not 500) have relied on big caps + transformers--until the 180.?matters Ben--I've never done a 180/160 demo---but I can imagine the 180 may be slighty sharper--similar to a chrome bumper v new 250 demo i did.I went for the new one ----but its was close and the old one did some things better and was just as satisfying musically. I went active to try and defibrillate my sullen sbl's--another near future post I think Cheers Richar |
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blast
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blast,blast
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Member |
So size doesn't Matter huh!
Well I'll embrace my new 160 case storage oportunities with vigor then. ? ideal for mulling the wine at Christmas after some Lenny Kravitz at neighbor abuse levels. Lotus released a sports car in the 80's that was v.good (the FWD ELAN) but it crashed and burned sales wise as its bonnet was just too short?Any lessons to learn there? Richard Any other ideas on how to utilise the new space in my 160? |
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Senior Member |
i think the rate of miniaturization in the electronics industry is the real culprit. eg. if you open super modern amps they all have surface mounted chips rather than all those cylindrical diodes and capacitors.
can anyone answer fred's question? i think it's just a matter of calendar fred, 8 years + from date of manucture. i suppose if you listen to only your system day to day, your hearing would attune to the deterioration along with the system and not really notice it(?). what i'd like to know is how different are the effects of shriveled caps on different units, eg. power, power supplies, pre amps, which ones are more crucial to recap? (anyway, first cup of coffee here) shahreza |
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Senior Member |
Shahreza,
You're right here, the component industry is constantly striving (particularly in Surface Mount) to make smaller and smaller components, fuelled by the telecomms consumer demand for smaller devices. This is just one of the many problems I have to contend with on a daily basis, as existing components are withdrawn and smaller replacements offered (that do not fit existing PCB's). The cost to smaller businesses with low volumes of these changes is huge (redesign work etc.). I wonder if this is one of the reasons Naim have not embarced SM technology, except for where it was necessary. Added to this there are severe components shortages in semiconductors and especially tantalum capacitors - I wonder how much this has affected Naim, they must use thousands of them! Now the smell of a burnt out tant - that's really memorable Dave! Andy. Andrew L. Weekes |
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Member |
Hi Fred
from my experiences the pre-post recap changes improve mainly the frequency extremes--to me the bass was more woolly that got so bad it affected the rhythm and the treble more 'tizzy'.Old non recapped 250's still sound very good however--some actually prefer their warmness. Naim say 7-8 yrs for a recap--and they degrade apparently just as fast if you don't have them turned on all the time. I'm sure there is a lot of variation.Components with the power supply caps--e.g hicaps/poweramps are much more sensitive to a recap. I never bothered with my preamps--they replace a few tantalum caps on the boards thats it.--unless a component has really degraded and caused everything to become unbalanced--should sound pretty bad.They don't sound very musical for a 2 wks or so after the service and turn around is 2-3 wks with carriage so not insignificant inconvienience. The big smoothing caps talked about above if left 2 long can fail and destroy the amp--but my 160 ran through its 17th birthday OK.--look for signs of leakage/corrosion on the components. The Cd players also aren't as popular with naim to fiddle with--not as much to change --though your CDX can't be old enough anyway can it? Dave mentions above that the newer smaller caps used in the 180 e.t.c last longer--?Naim will revise their recommendations? Cheers |
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