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1st Timer
Posted
I recently had my LP12 serviced by my dealer.It is
a 1988 valhalla model without cirkus fitted with
Ekos1 arm.After servicing the deck (very well too
I would say from home listening since),he said he thought it sounded 'flat and undynamic',blaming
the Linn K9 cartridge.

He recommended a change to Rega Elys or even better the Dynavector 10x4.My instincts on a sound for pound basis would have been to go for a new stylus for the K9.However this dealer no longer stocks Linn and the K9 no longer appears on Linn's website.Has the K9 been put to sleep?

If so,are there any other cartridges worth considering? It is hard with cartridges now as they are hardly ever reviewed in the magazines and dealers no longer seem to like comparative
cartridge dems.Remainder of system is 72/140 and
Linn Saras.

Any advice would be gratefully received.

 
Posts: 4 | Location: Manchester,UK | Registered: Thu 26 October 2000Edit or Delete MessageReport This Post
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Hi,

Linn dropped the K9 for a bit but my dealer assures me it's now available again. Call Linn and ask. I think the number's on their site.

All the best,

David

 
Posts: 592 | Registered: Wed 04 October 2000Edit or Delete MessageReport This Post
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do yourself a favour, dont buy another k9. if money is pressing the rega is good. the k9/k18s are not the most refined sounding affairs. it always makes me laugh when people get themselves a good system and then buy a 20p cart. i think this goes back to the days of lp12/ittok/at95, come on please! with such a system such as yours a good cart will make it sing, if the dynavector is too expensive save up for another month or so. it will be worth while in the end.
ashley
 
Posts: 411 | Registered: Mon 16 October 2000Edit or Delete MessageReport This Post
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I just replaced my trusty K9 with a new Dynavector 10x4. The improvement was absolutely huge. The Dyna sounds better than I remember the K9 ever sounding - it's sweeter, more detailed, times much better, tracks better. Just before the switch, I was listening mostly to CDs. Since switching, I've been listening almost entirely to vinyl. It's a staggeringly good cartridge for the money. The new retail price in the states is the same as a K9, and well worth it.

(My LP12 is pre-cirkus, Valhalla, Ittok. Should sound even better with an Ekos.)

 
Posts: 18 | Location: usa | Registered: Mon 31 July 2000Edit or Delete MessageReport This Post
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blurggghhh.

Find a real cartridge. It is possible to have all the flat-earth attributes without the dogged ragged edges that the K9 has - and this needen't cost you the earth.

Rico - all your base are belong to us.

 
Posts: 4295 | Location: Global Citizen | Registered: Mon 31 July 2000Edit or Delete MessageReport This Post
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Well - not quite. Linn did remove it from their stocks, but there was a lot of demand for the damned thing, so they now make a new K9. It's basically the plastic body of the K5 with a K9 stylus. So you can get a new stylus ordered if you like. However, don't forget that the components (including some suspension) in the cartridge itself will be quite tired now.

Although it's nice in a warm, cuddly, undynamic way, it's doesn't really compete with more modern cartridges. The 10x4 is the latest incarnation of a long line of 10x cartridges from Dynavector and I think it represents excellent value for money, though I've never heard it in a deck of your type, which is basically an eighties spec deck.

In some ways it's a shame that you're not considering upgrading to a better spec moving coil cartridge like a Klyde, Kontrapunkt A, or, 17D2. You'd begin to get what the LP12 can really do for you at last.

Regards,
Frank.

 
Posts: 4433 | Location: UK | Registered: Wed 09 August 2000Edit or Delete MessageReport This Post
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...what would be a natural cartridge progression from an Asaka?

(on an LP12/Lingo/Cirkus/Aro)

I like my sound, but wonder what I should be aiming for next (now that I have the best tonearm in the world wink )

John

 
Posts: 2918 | Location: The Fife Riviera | Registered: Tue 24 October 2000Edit or Delete MessageReport This Post
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Steve,

Ditch the K9, end of story. It's a great entry level MM, but that's it.

I went from a K9 to a 17D2 on my LP12/ekos/lingo last year, absolutly awesome improvement. The 17d2 is a real bargain at about 450 pounds.

I was so amazed by the difference it made that I'm now thinking about getting an even better cart when it wears out. I'd always said I was never going to get into expensive MC's because of the cost of replacing every 18 months or so, but now, I'm thinking maybe at towards the end of this year going to an Arkiv B or a Te Kaitora and stuff the replacement costs.

Simon

 
Posts: 240 | Location: Somwhere or other | Registered: Wed 23 August 2000Edit or Delete MessageReport This Post
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Simon:

In my experience the higher priced cartridges seem to last longer than the others. When I had an original Asak it would need replacing in about 12-15 months (I went through 3 plus an Asaka). My Troika lasted almost twice as long and my first Arkiv a little longer again. My Arkiv B is now into its second year w/o noticeable deterioration. I think you could probably get 1000+ hours today out of a top-level MC such as the Arkiv before replacing.

I get my LP12 checked over once a year and stylus wear is checked as well. Useage of my LP12 was about the same until the Arkiv B (I use it less now) as I have an NAT02 to keep me amused as well.

Paul

 
Posts: 727 | Location: The now very snowy west coast | Registered: Thu 10 August 2000Edit or Delete MessageReport This Post
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quote:

i think this goes back to the days of lp12/ittok/at95

I bought my Rega P3 with a $10 Grado cartridge wink

I just took my LP12 out of mothballs and set it up two days ago - it has a K18II. Does sound ragged, but could be the arm bearings and such. I'm also fiddling a bit with the tracking force and anti-skating.

Anyway, my girlfriend came over and I had a Count Basie record playing. She didn't see the LP12 at first - just enjoyed the tunes. I showed her the LP12 and she said, "So THAT'S why it sounded so good!"

She used to be a Jazz DJ razz

I went through my records last night and will only be donating about 20 of the 500 or so in my collection. So the LP12 stays for now big grin

- GregB
More Music! More Music!

 
Posts: 1897 | Registered: Sun 06 August 2000Edit or Delete MessageReport This Post
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I guess the most natural progression from an Asaka would be to a Klyde. This is a very nice cartridge with similar presentation to the Asaka but better transparency and rhythm.

However, the ARO allows you to explore other makes of cartridge such as Dynavectors, Ortofons and such like.

We are getting fabulous results from the relatively new Ortofon Kontrapunkt B (£750-ish).

We always get good value for money out of Dynavector. For a different approach and a very sweet treble, look at the 17D2 (£450). Alternatively, consider waiting for the new XX2 (£1000) which was meant to be out this month. Or there's the Te Kaitora, which at £1700 combines the delicacy of the 17D2 with much of the power of the XX-1L.

One other alternative is the Lyra Helikon (£700-ish). I don't get on with this cartridge as I find it boring to listen to. However, it has many good aspects to its presentation.

Regards,
Frank.

 
Posts: 4433 | Location: UK | Registered: Wed 09 August 2000Edit or Delete MessageReport This Post
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"...what would be a natural cartridge progression from an Asaka?"

Hi John,

I'd say the Klyde also. I'll let you know how the two compare. I've been using Klyde's for about seven years and they have never let me down. They're a great match for the Ekos which is what I use but I'm sure they would also be fine on a Aro. I have a Asaka I plan to have rebuilt when my Klyde gets a bit more wear on it and plan to rotate the rebuilt Asaka in when the time comes.

A rebuilt Asaka will probably sound better than a worn Klyde, if not I'll add another level of Mana to make up for the difference. Remember Source First! Support, TT, Arm, Cartridge, Pre, etc...

 
Posts: 783 | Location: USA | Registered: Mon 31 July 2000Edit or Delete MessageReport This Post
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quote:
if not I'll add another level of Mana to make up for the difference.

with multiple levels of Mana, take care to leave at least 33 cm between the LP12 lid and the ceiling, to be able to put your LPs on!!

with the 20th level of mana, a ladder is offered!!
big grin

BTW, the klyde is a no risk upgrade from an asaka.
Other solution: find a karma, and have it rebuilt at Linn

JChristophe

 
Posts: 577 | Location: Brittany - France | Registered: Tue 03 October 2000Edit or Delete MessageReport This Post
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frank: is it possible to characterize the dynavectors in comparison with the equivalent ortofons. i am particularly interested at the £1000 level. also what do you think of the more expensive linn arkiv ii?

many thanks.

enjoy...

ken

 
Posts: 3908 | Location: Hertfordshire, UK | Registered: Thu 31 August 2000Edit or Delete MessageReport This Post
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The K9 is based on a very cheap Audio Technica design and has a poor stylus.
It has tight, dry upper bass and sounds fast and 'boppy' (like the Linn Kan) but thats its only decent quality.

It cannot track high frequencies on the inner grooves without nasty distortion and shuold be thrown out immediately.

If cash is tight, look at the Denon DL110 which at £80 will make you big grin the moment you hear it.


Rob.

 
Posts: 350 | Location: London, UK | Registered: Sat 23 September 2000Edit or Delete MessageReport This Post
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To all,

Last time I went to my Linn dealer, he told me the Troika was a great cartridge. Some still prefer it to the Arkiv. I do not know myself as I have never auditioned any of them.

Anyway, would anyone recommend me a rebuilt Troika? How much would it cost me? Would it make sense when compared to a new Klyde or an equivalent Dynavector?

Thanks,

Ugo
http://www.delphi.com/LinnProducts

 
Posts: 151 | Location: Brussels, Belgium | Registered: Tue 01 August 2000Edit or Delete MessageReport This Post
keV
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I use an Ortofon Rohmann on LP12 / Lingo / Ekos into Linn amps, heavily Mana'ed. In the dem (not with Mana) the Rohmann walked all over the Arkiv B, which sounded brash in comparison. The Rohmann is superb for ~£1000.

I am a bit wary about Dynavector cartridges after my next door neighbour's son told me that his stylus literally dropped off the cantilever!

Kevin

 
Posts: 48 | Location: Middx, UK | Registered: Fri 04 August 2000Edit or Delete MessageReport This Post
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Tracing distortion is caused when the stylus profile is unable to 'fit' the high frequency modulations on the disc, a problem which gets worse when playing inner tracks.

The Vital tip used by Linn is poor in this respect.
I owned a Troika for a while and disliked it for the same reason. It also used a Vital tip.

Without going into too much detail, the scanning area of your stylus (it's minor radius)needs to be below 5um to get decent HF tracking, and ideally around 3-4um. Any smaller and you start cutting your own vinyl!
The Linn tip profile is aroundd 8um - too large and unforgiveable on something as costly as the Troika, though perfectly acceptable on a Basik or other sub £40 MM.

Jeremy, if you visit my site at www.flatresponse.com and look at the section Cartridges in the 'Basics' section you will see a much more detailed explanation.
Otherwise feel free to email via the site.
The site will close & move at the end of March due to a revamp so be quick!


Rob.

[This message was edited by Rob Holt on SUNDAY 18 March 2001 at 13:58.]

 
Posts: 350 | Location: London, UK | Registered: Sat 23 September 2000Edit or Delete MessageReport This Post
Ugo
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"A lot of people use them and Expert sell them for around £300 UKP, so I've been told. You'd have to check though."

How to get in contact with them? Thanks.

Ugo
http://www.delphi.com/LinnProducts

 
Posts: 151 | Location: Brussels, Belgium | Registered: Tue 01 August 2000Edit or Delete MessageReport This Post
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