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If I was buying one JS Bach recording, which should it be?
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Nigel, I just bought a copy of Mullova's Partitas via Amazon.co.uk a week ago. It arrived only two days after ordering it. I'm surprised that you can't find it - maybe the rush to buy it has taken Amazon by surprise and they've ran out of copies ! After all, Classical fans have been waiting for years for this re-issue. Hope you enjoy it - it is truly a fabulous performance. Be amazed. Regards, WW. P.S. Just checked Amazon.co.uk again. It's still available. |
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No doubt she will Norman |
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OK, so in addition to not being able to post photos, this multiple quote/response thing is beyond me.
Norman |
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That's the one I've ordered, on import. Nigel |
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If you get a minute, would you be able to post a link to the two CD set - I simply can't find it! Nigel |
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Nor can I find it at amazon.uk , but never-the-less JPC lists it:
http://www.jpc.de/jpcng/classic/detail/-/hnum/6744869/rk/classic/rsk/hitlist |
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Thank you Fredrik I have several Opus111 records and they are often xciting! I'll check it out (with the Mullova disc) Regards Rickard |
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Er, I would Nigel but not sure how ! This modern technology is beyond me. However, I just go in on amazon.co.uk, choose the classical music criteria, type Mullova in the search and press go. Bingo ! All of Mullova's discs. Note that the main description of the disc is 'Bach's Violin Concertos' - the SECOND disc of the set contains the Partitas. Let me know if you finally find them ! WW. |
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I admit defeat. Amazon has only the single concertos disc, so far as I can see, and I can't understand the German site, though the CD is undoubtedly there.
Nigel |
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Indeed it is!! Many thanks.
Nigel |
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BTW, am I the only one who noticed in the cover photo how long V. Mullova's fingers are!? Reminds me that it was said that J. Heifetz could span a tenth (two tones beyond an octave), and that he could play running octaves with first/third fingers alternating with second/fourth fingers. Surely a detail few wanted to know, but I think I have happened on an explanation for why I cannot play as well as either!
Norman |
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Glad you found it ! Get it ordered Nigel ! IanGtoo, thanks for doing the technical stuff for me ! WW. |
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'Tis already done! Dispatached by Amazon and on its way to sunny Emsworth. Nigel |
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Super. Let us know what ya think. |
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yeah - maybe I have to buy it too then ... |
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Huw I have just won a copy of this on US eBay for $15.50 and will report back. I'm very pleased with that. Nigel |
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Nigel, After all this, I decided to pull out my cherished copy and revisit it this evening. At the risk of seeming presumptuous, I would like to make a few suggestions on approaching the three Partitas. You might find it a bit of a slog to put the CD on and sit through the entire 77 minutes. If not, great, and you are truly hooked. On the other hand, rather than let the CD slip into the role of background music, you may want to get aquainted with it a little at a time. To that end, you might want to go to the Chaconne (Ciaccona, cut 13), which is the best known of all movements off this set, often performed as a stand alone piece. (The Preludio, which leads off the third Partita, is the other well known movement, and you may actually recognize the tune.) As you get to know the Ciaccona and some of its intricacies of musical line, you will begin to get a handle on how towering an achievement the music and this performance really is. I would then recommend getting to know the second Partita in its entirety, then the other two. I hope you grow to love the music as much as I have. Regards, Norman |
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Perfectly put. Nice post Norman. |
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Thanks very much, Woy.
Norman PS, Actually, what made me think to post a brief "guide" was that when I first listened to the Goldberg Variations a couple of years ago, I didn't warm up to it immediately. Perhaps it was because I was not introduced to it in my youth. At any rate, as a totally new piece, it was pretty overwhelming at first, and it took a good dozen listenings to get into it. However, once I began to hear the incredible interweaving of lines and wonder at how ten fingers could possibly convey so much content, I began to acquire more copies just to hear what different performers did with it. Now hardly two or three evenings pass without putting one or another of the versions on to listen, and I always find a new revelation. So, if I, not exactly a Bach newbie, found a new work confusing, I thought anyone new to the unaccompanied violin works could use some help. |
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If I was buying one JS Bach recording, which should it be?
